
As the car moves along, crashing and bumping into objects and people, it wreaks havoc and harm (how one's actions affect the surrounding world). He is gagged and bound, unable to scream (ask for help) or help himself. The story of a life gone wrong through a combination of bad luck and poor choices is told through the journey of a man who unwittingly finds himself stuck in a car (life) making a path in reverse (a life that is backwards). Daughter's interpretation of "Wrong" successfully captures the intention of the lyrics within the story it tells. The best video concepts are those that offer a compelling narrative relevant to the meaning of the song it represents.

Return to the Blog of the Universe Homepage *I am not someone who thinks Depeche Mode is nothing without Alan, brilliant though he is, but they could certainly take a pointer or two in this area. What DOES he mean? Is he ready to announce the new Recoil album? Maybe he's going to join the band for their special Royal Albert Hall gig in February? How many licks does it take to get to the center of a tootsie-pop? The world may never know, but seriously folks, we all know Alan Charles Wilder is never coming back to Depeche Mode (not even if Martin gave him a billion dollars). For his solo efforts with the Recoil projects, he updates his fans on upcoming Recoil news via video fairly regularly, and has had a more personal presence on the web community than Depeche have.*īecause of this, I wager Alan knows his audience well - he knows that by being intentionally vague, Depeche Mode fans will mess their shorts wondering what he means by it. Recently, he even went to the London premier of The Posters Came from the Walls and took part in a Q&A session in which he implied he wouldn't mind working with DM again. His meticulous archiving sense helped the lads dig up "long-lost" demos for the Sounds of the Universe boxset and archival footage from the studio for the aforementioned remasters - it's no secret the man is sitting on a treasure trove of goodies, for better or worse. Of course he participated in the making of the remasters of the albums to which he contributed, and last year, he launched a lengthy retrospective editorial on his time with Depeche Mode.
Depeche mode songs of faith and devotion blogspot full#
His personal website maintains an extensive question and answer section chuck full of anecdotes. Despite the tension related to his departure from the band, he has remained part of the fan side of the timeline in subtle, auxiliary ways. Something I've always admired about Alan, inside and outside of Depeche Mode, is how he isn't afraid of engaging with fans. Alan Wilder himself sent in brief a video greeting for wishing fans a happy holidays, with the promise of some "very interesting news" to come with a "we'll be.

But with other numbers such as "Walking in My Shoes" and "The Mercy in You" to recommend it, Songs of Faith and Devotion continues the Depeche Mode winning streak.Happy 2010 (TwentyTen™) to all of you! To ring in the new year, Mr. "Rush" is the biggest misstep, a too obvious sign that Nine Inch Nails was a recording-session favorite to unwind to. Outside musicians appear for the first time, including female backing singers on a couple of tracks, most notably the gospel-flavored "Condemnation" and the uilleann pipes on "Judas," providing a lovely intro to the underrated song (later covered by Tricky). Martin Gore's lyrical bent, as per the title, ponders relationships through distinctly religious imagery while the gambit is hardly new, on songs like the centerpiece "In Your Room," the combination of personal and spiritual love blends perfectly.

"I Feel You," opening with a screech of feedback, works its live drums well, but when the heavy synth bass kicks in with the wailing backing vocals, even most rockers might find it hard to compete. Perhaps even odder is the fact that it works incredibly well all the same. Yet the odd thing about Songs of Faith and Devotion is that it sounds pretty much like a Depeche Mode album, only with some new sonic tricks courtesy of Alan Wilder and co-producer Flood. In the meantime, the band went through some high-profile arguing as David Gahan turned into a long-haired, leather-clad rocker and pushed for a more guitar-oriented sound. In between Violator and Songs of Faith and Devotion, a lot happened: Nirvana rewrote the ideas of what "alternative" was supposed to be, while Nine Inch Nails hit the airwaves as the most clearly Depeche-influenced new hit band around.
